I'm a Senior Producer who likes being close to the work, from the first conversation to the final frame, making sure the creative ambition survives the realities of production. My work spans global campaigns, documentary storytelling, photography, and social. I'm happiest on projects with a big idea, a tough problem to solve, and a great team to build it with.
A collection of work I've produced across brand campaigns, partnerships, documentary storytelling, social, internal communications, photography, and large-format content.
What I did
I didn't just produce the work in this reel — I edited the reel itself. It's a quick look at the range of projects I've helped bring to life and the kind of producer I am: hands-on, collaborative, detail-oriented, and always willing to jump in wherever the work needs me.
Create a short documentary introducing the artisans behind Delta's new amenity kits and showing the human story behind the partnership.
What I did
We filmed in Oaxaca, Mexico, following the artisans who make the amenity kits. This is still one of my favorite projects I've ever worked on. The artisans opened their homes to us, shared food and stories with us, and trusted us to tell their story. We captured so many beautiful, personal moments that one of the hardest parts of the project was getting the film down to three minutes. I helped guide the production from story through final delivery while protecting what made the footage special: the people.
Create a behind-the-scenes film about the Onboard Welcome — World in Color production we filmed in Rio de Janeiro.
What I did
I conducted the interviews myself — developing the questions, interviewing the team, and then building the script from those conversations. I produced the BTS film from there, but I also saw an opportunity to take the project one step further by creating an audio description version so people who are blind or have low vision could experience the visual story, too.
I helped write the audio description script, working through the challenge of describing what was happening on screen clearly and efficiently within the natural pauses in dialogue and sound. We then hired voice talent to record the description and shared the finished piece with Delta's Advisory Board on Disability. They were excited to see us bring audio description into this kind of creative work for the first time.
This project changed the way I think about accessibility in production — not as something added at the end, but as another way to make sure more people can experience the story.
Create an employee campaign that captures the heart of Delta — the people, the operation, and the work happening behind the scenes every day.
What I did
This project came to life when our team was only about 18 people and growing quickly, which meant job titles were flexible. I wasn't only producing; I was also project managing and production coordinating wherever the project needed me. We filmed in Minneapolis during the summer and worked incredibly closely with our director and creative team to make the idea work on the ground. It remains one of my favorite examples of what great teamwork looks like — and the finished campaign went on to win awards.
Create a high-energy piece that builds excitement around the 2024 Paris Olympics.
What I did
The biggest challenge was surprisingly simple: everyone had a different definition of "hype." The creative team had competing ideas about the energy and structure, and our edit wasn't landing where the creative director wanted it to. Rather than burn through more rounds and budget, I jumped into the edit in real time and started reshaping the piece with the team so we could react immediately. It was a messy middle, but a good example of how I work when a project gets stuck: get closer to the problem and make something tangible.
Create content specifically for the circular Halo Board at Mercedes-Benz Stadium — a format where the screen itself changes how the story has to be designed.
What I did
We captured on the runway to get the "Fly Delta" moment the creative team wanted, but the real production puzzle was the Halo itself. I worked with the team to make sure the content was built to the board's exact dimensions and thought through how the animation would wrap and loop around a 360-degree display. We also had to build intentional visual breaks so aircraft on adjacent sections of the board didn't appear to fly into one another. Seeing the final work running around the stadium was one of those very satisfying production moments.
Launch the Delta + Uber partnership with a campaign introducing the new ways customers could connect their travel journey and earn miles.
What I did
This production became a masterclass in pivoting. We were scheduled to film at Miami International Airport when a last-minute presidential visit changed the security environment and redirected the police support our permit required. Suddenly, a major part of our airport shoot was no longer possible. I worked with the team to rethink the day, protect the creative, and recreate the imagery we needed without the original airport setup. It’s the kind of production challenge I love: everything changes except the deadline, and you figure out how to still make the shot happen.
Create Delta’s safety video for its Centennial year, celebrating 100 years of the airline while delivering critical safety information in a way that felt true to each era of its history.
What I did
I helped bring a century of Delta history to life while making sure the details worked for today. Rather than relying on original museum uniforms that were made for limited sizing, I oversaw recreating the historic looks so we could cast inclusively while staying true to each era.
I also managed the recreation of the aircraft and exit animations with an outside vendor. Because safety information differs by aircraft, we ultimately created 25 different versions, each with its own accurate exit information.
Production included long overnight shoots to work around aircraft availability, along with coordinating the many historical, technical and safety details that had to come together for the final film.
Create a campaign showing how Delta SkyMiles Members can earn more miles through the Delta + Airbnb partnership.
What I did
This was a lean production, so I wore a lot of hats — and I mean a lot. I produced the work, managed client communications, coordinated releases, helped set shots, supported the crew on location, worked directly with Airbnb when our internal stakeholder needed extra bandwidth, and even stepped in front of the camera. I stayed with the project from pre-production through post and helped keep a very fast delivery on track for the campaign launch. It's probably one of the clearest examples of how comfortable I am working outside the neat boundaries of a job description when that's what the project needs.
Refresh Delta's jetway photography and create a new library of images for the customer journey from the airport to the aircraft.
What I did
My role extended well beyond getting the shoot produced. I stayed closely involved through retouching and final delivery, catching details that could have created brand, cultural, or legal issues before the work went live. For me, producing doesn't stop when the camera wraps; it means staying accountable to every detail until the work is out in the world.
Create a sizzle showcasing Delta Marketing's 2025 work for a supplier summit where the CMO was speaking — with roughly 48 hours to pull it together over the weekend.
What I did
The request landed on a Friday and the video needed to be ready Monday. Five of us immediately divided and conquered: pulling footage, calling out timecodes, tracking down last-minute usage rights, shaping the story, and making sure the strongest work made it in. It was another great example of a team moving quickly without letting the quality fall apart. The CMO loved the finished piece so much that she wanted to share it more broadly across Delta.
Behind the Camera
Personal work, through my own lens.
Photography has always been a creative outlet for me and another way I tell stories. While production is my career, I still love getting behind the camera — especially when it involves travel, animals, and the moments you only get one chance to capture.
FRAME 01CRETE, GREECE
FRAME 02BALI, INDONESIA
FRAME 03NOSY BE, MADAGASCAR
FRAME 04FAIRBANKS, ALASKA
FRAME 05NOSY BE, MADAGASCAR
FRAME 06BORGARNES, ICELAND
A Little More About Me
The producer behind the work.
I'm a Senior Producer who loves taking creative ideas and figuring out how to actually make them happen.
I've produced everything from brand campaigns and social content to photography, partnerships, and onboard creative — working across the entire process from early ideas through production and post.
I love the mix of creative and logistical: shaping the story, finding the right people, solving problems, and making something everyone is proud of.
Outside of production, you'll usually find me somewhere near an animal.
The owl I'm holding is Tappy. I've spent more than 450 hours volunteering at a wildlife rehabilitation center, volunteered at a lemur sanctuary in Madagascar, and spent more than a year raising and training a puppy for a guide-dog organization.
Animals are a huge part of my life. They give me a chance to get my hands dirty, keep learning, and spend time doing something that matters to me.
Louie has been part of my life for years, and somewhere along the way I realized I had thousands of photos of him doing the very ordinary things that make him, him. So I turned some of those little moments into a book. "A Day With Louie" is a simple story inspired by the dog I get to spend every day with — his routines, his personality, and the tiny things about him that make me laugh. It's a very different kind of project from my production work, but probably one of the most personal things I've made.
